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Friday, October 20, 2006
Ashley Maher: Flying Over Bridges
Every once in awhile, I get a disk in the mail from someone that I've never heard of that reminds me why I do this. I received two disks in the mail from Los Angeles-based world/folk/pop singer/songwriter Ashley Maher.
Ashley Maher's most recent CD, Flying Over Bridges, combines singer/songwriter folk, African folk and pop, western pop, and jazz influences into an eclectic melange greater than the sum of its parts. The groove is insistent, whether it comes from a lone set of sabar drums, as on "Seven", or from a tight Afropop-influenced rhythm section featuring swirling guitar and walking bass on most of the other pieces. All of it is held together by Maher's smooth Joni-Mitchell-like voice and remarkable ability to craft and control complicated syncopated melodies. If you like astists that step out on the edge to fuse a variety of styles, such as Baka Beyond or Afro Celt Sound System, then I recommend checking out Ashley Maher.
Ashley Maher's most recent CD, Flying Over Bridges, combines singer/songwriter folk, African folk and pop, western pop, and jazz influences into an eclectic melange greater than the sum of its parts. The groove is insistent, whether it comes from a lone set of sabar drums, as on "Seven", or from a tight Afropop-influenced rhythm section featuring swirling guitar and walking bass on most of the other pieces. All of it is held together by Maher's smooth Joni-Mitchell-like voice and remarkable ability to craft and control complicated syncopated melodies. If you like astists that step out on the edge to fuse a variety of styles, such as Baka Beyond or Afro Celt Sound System, then I recommend checking out Ashley Maher.
Labels: Reviews

